Article
Complex relationship between 'détournement' and 'récuperation' in Melbourne's street (graffiti and stencil) art scene
200 Words Synopsis
Graffiti and street art has always been a complex subject to explore in an urban context. Whether it be a devastation of a clean neighbourhood, or artistic beautification of an abandoned building, its success/ failure all depends on the “right” application to a particular context. It is an act of detournement, where techniques used in advertising is employed by public to attack capitalism system itself. In reverse, recuperation is occuring in conjunction at the same time, where illegal forces are adopted and absorbed into the main stream society. These opposing and adjusting forces are the truest reflection of a society. It is a constant struggle between the infringed and the authority.
Melbourne has one of the most exciting street art in Australia, whether it be decorative, political or personal, its street artists actualise objective force in the material realm. Their diversity and individualism distinguishes them from those that perpetuate the singular worldview of a ruling class. It is an organic evolution of the street, where the ephemeral nature of graffiti allows them to become “legitimate” medium used to express one’s opinion and received public response in the fastest possible way because of the casualty and instant accessibility of street art.
Reference
Janet McGaw, "Complex relationship between 'détournement' and 'récuperation' in Melbourne's street (graffiti and stencil) art scene", Architectural theory review: journal of the Department of Architecture, the University of Sydney, v.13, n.2 (2008): [222]-239.
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